lilypond's questions - Chinese 1answer

160 lilypond questions.

I'm playing with LilyPond and was attempting to typeset some of Fux's Gradus Ad Parnassum. As far as I can tell, Fux uses what LilyPond calls mensural style for note heads, clefs, time signatures, etc....

Is there any reliable program to convert a fully-fledge piece in Lilypond format to MusicXML, such that Sibelius can read the original Lilypond notation? Basically, I need to edit a score which is ...

Is it possible to have overlapping system delimiters (braces and brackets) in lilypond? I know how to do complex nested hierarchies, but they're always nested. I can't figure out how to start, for ...

Here is a short snippet of Lilypond that I think expresses the intent of what I want to do. verseNotes = \relative c' { d^\markup { \verseText } d d d16 d d8 a r4 | cis8 cis cis cis16 cis ...

I'm getting started using lilyjazz to write Jazz-styled music. I'd like to get the Realbook-like notation that I'm used to featuring a triangle to denote a major seven. the jazzchords.ily stylesheet ...

I'm doing some chords+lyrics song sheets, and trying to achieve a two column layout. From what I've read, the way to accomplish this is by putting scores within a markup block. This works to get the ...

I'm wondering if is it possible to notate a score like on the picture below in LilyPond. The problem here is that the third measure of the topmost part (which is flute, actually) should be stretched ...

\language "english" global = { \key c \minor \numericTimeSignature \time 4/4 } right = \relative c'' { \global < g c d g >1\arpeggio \bar "||" } left = \relative c, { \global <&...

I’m trying to improve the legibility of my scores by increasing the basic-distance between systems. There needs to be some whitespace between the last verse and the next system below. Here's what I’...

<< <des f aes c g' bes>1 \arpeggio { <<c''1 {f4. (c8 c2)} >> } >> It seems too difficult to do this in LilyPond. How do I do it?

This demonstrates the problem: \relative c' {c4 d e f d e \repeat volta 2 { f g a, b c d } \alternative { {e2} {e2~e2} }} (And here's a picture: I need the first ending to be half a measure, ...

I have to create this key signature in lilypond: Would it be possible to create something like that? I really appreciate any help you can provide. Thanks!

I was directed by America Luke to this forum site. I hope this is the correct place. I have a score with a lot of triplets. It's awkward to write always \times 2/3 {c16 d e} \times 2/3 {d e f}. ...

I'm notating a piece of music with Lilypond, and am running into an issue where the fermata symbol is consistently too close to the note it's attached to. The problem is emphasised by some nearby ...

I'm trying to have a slurred triplet inside of some lilypond notation, but I get the following error: music.ly:32:52: error: syntax error, unexpected EVENT_IDENTIFIER a(b cis a e'-.) e e8(d \...

In transcribing a work for piano with two voices in each staff, I've come across a passage in which there are two voices in the LH staff for some duration, but in one measure there is only one voice ...

Consider the following scores below. I would have thought Lilypond would apply a consistent transposition to the notes without the need to reformat the interval notations. The first stave is the ...

Suppose I want to use eighth notes which differ widely in pitch, so that half of the eighth notes fall in a bass clef and half of them are best represented in a treble clef. Is there a way to use one ...

I've recently installed LilyPond and Denomo and found them to be great tools. However I can not seem to learn how to make a beaming pattern like this: This is the bar in Denemo gui: My LilyPond ...

I'm writing some exercises, one per line, and I would like to write a number before each one. I can't figure out how to do that, so a little help would be appreciated! My code is pretty simple : \...

I have created the following Lilypond code: % one octave above middle c song = { \relative c'' { \time 4/4 \tempo 4 = 66 c c d e f1 f4 f c d e1 | \break e4 e f e d e ...

I'm creating pdfs with a single melodic part. In this case I'm not crazy about the instrument name in an indent of the music, so I was started putting the instrument name as a sub title and remove the ...

Subtitle won't wrap

2 answers, 63 views lilypond
In my piece I have a long subtitle that runs off the sides of the page. What I would really like is to manually add a newline or carriage return, or perhaps at least get \wordwrap to work. I've ...

In my score, I have two verses where in verse 1, the slur should have one syllable per note in the slur, but in verse 2, the one word should apply to both notes. You can see that in verse one the ...

I have notated (via LilyPond) how I would like a turn to be played in my score. Is this an acceptable way to notate this?

Recently I upgraded to lilypond 2.19.80, and now lilypond tells me: warning: no \version statement found, please add \version "2.19.80" Now, I have that version number in a special include file ...

When writing vocal music in lilypond, I find it easier to find my place when there are lyrics in near proximity to the notes, so I've been using linebreaks and comments to achieve this so far: \...

In my piece, I want a single score in order to be able to output a single midi file. The entire piece is polyphonic with two voices. The structure should look like this: chorus in two voices (with ...

In my piece I want to have two voices on one staff, with lyrics, like in the docs. But lilypond tries to create two staves like on a ChoirStaff. \version "2.19.80" \language "english" signature = { ...

In the lilypond files, when you define a score, there are times to use << >> and times to use { } but this is very confusing to me. Sometimes examples use both, sometimes one or the other....

I'm using Lilypond to compile music for my church choir. I've recently discovered the use of midiMaximumVolume and midiMininumVolume so I can highlight a given staff to isolate a part. I produce ...

I try to set a sheet of music using lilypond 2.18 and i have difficulties to engrave the lyrics to a small part of the score where I use << { } \\ { } >> to get a second voice to the staff....

I can write the following in the violinOne part in LilyPond 2.18.2 and it produces a quarter note rest in a pickup measure followed by a measure with a half note rest and then a quarter note rest: \...

I'm working on a project to set Bach's music on lilypond files (so that people can share and enhance to better match manuscripts). I just uploaded BWV 1004 to the repo but I'm wondering what's the ...

While transcribing Vexilla regis I came across a weird issue with augmenta being offset to the right. \version "2.19.81" \include "gregorian.ly" cantus = \relative c' { \[ \augmentum g \melisma \...

I created this minimal example : \version "2.21.0" \include "italiano.ly" soprano_notes = \relative do' { fad fad16 sold8 la16 re4 re16 re8 re16 re4 re16 dod8 si16 dod2 } alto_notes = \...

could someone help me with my problem, please? I have got this Lilypond 2.18.2 code: \version "2.18.2" \language "deutsch" global = { \time 4/4 \set Timing.beamExceptions = #'() \set Timing....

I'm trying to write a 12/8 drum score in Lilypond, with a lot of 32nd note phrasing, and the default beam grouping looks a bit ugly to me: (Here's the above example in LilyBin: http://lilybin.com/...

Assuming I have a pattern like this: \relative c' { c4 d e f8 g d4 e f g8 a e4 f g a8 b f4 g a b8 c } How can a define the rhythmic pattern to be applied to all notes so I only had to input ...

I'm typesetting music (a set of versicles and responses), some of which are accompanied and some of which aren't, and I'm using some custom Scheme functions to collect pieces in parallel (and ...

I want to provide a pattern (e.g., the C major arpeggio, C E G) and have Lilypond automatically show it transposed (as one score) in all 12 scales. Here's my current attempt: music = { c' e' g' s } ...

I'm writing a drum sheet template for LilyPond and I'd like to place a drum key box to the left of the header. Here is what I've done so far: LilyBin link for fiddling with my markup: http://lilybin....

I have a choral piece where some of it is 4-part divisi SATB, and some of it is unison (true unison, not octaves). I would love to notate this in LilyPond with the two (women's & men's) staves ...

I'm truing to compile a lilypond score with the --png option. For some reason the chords do not get compiled properly when using this option. Running lilypond without the --png option works fine. The ...

I'm trying to use \partial to create a pickup in lilypond and I'm trying to fill it with rests so I use the command: \partial 4 r4 It works, but the output is ugly and off center: How do I make ...

I'm trying to typeset the following snippet. My first idea was to add two voices here but then I would not be able to make a slur between them. Is it possible without using manual placement of notes?

I want to connect two b2., but the output connected the g. How to make this work? An explanation of this issue will be more grateful. \version "2.18.2" { \clef bass \time 3/4 << { \...

I have a music passage that crosses from the bottom staff to the top (in a Grand Staff) with a slur. But, I want the slur to go from above the notes on the bottom to underneath the note on the top ...

Can I do this in Lilypond? I believe it's possible, however I could not find anything in docs about this. My question is, instead of repeating like this: g16-\markup {\tiny\underline\typewriter 1/16 ...

With Lilypond, I'm trying to notate a song with lyrics - this song has lyrics sung from the very first note of the piece. But Lilypond always shifts the words over one note each (see image). I can't ...

Related tags

Hot questions

Language

Popular Tags